John William Godward
John William Godward's
Oil Paintings

John William Godward Museum
9 August 1861-13 December 1922, was an English painter.

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Here are all the paintings of Juan Bautista Martinez del Mazo 01

ID Painting  Oil Pantings, Sorted from A to Z     Painting Description
77932 Empress Dona Margarita de Austria in Mourning Dress Juan Bautista Martinez del Mazo Empress Dona Margarita de Austria in Mourning Dress Date 1666(1666) Medium Oil on canvas Dimensions 209 ?? 147 cm (82.3 ?? 57.9 in) cyf
70824 konstnarens familj Juan Bautista Martinez del Mazo konstnarens familj olja pa duk 174.5x148cm forvarvad i italien 1800 se
76573 Retrato de la infanta Margarita Juan Bautista Martinez del Mazo Retrato de la infanta Margarita ca. 1659(1659) Oil on canvas 212 ?? 147 cm (83.5 ?? 57.9 in) cjr
78441 Retrato de la infanta Margarita Juan Bautista Martinez del Mazo Retrato de la infanta Margarita ca. 1659(1659) Medium Oil on canvas Dimensions 212 x 147 cm (83.5 x 57.9 in) cyf
2889 The Artist's Family Juan Bautista Martinez del Mazo The Artist's Family Art History Museum, Vienna
95736 The Artists Family Juan Bautista Martinez del Mazo The Artists Family between 1659(1659) and 1660(1660) Medium oil on canvas cyf
78141 The Empress Dona Margarita de Austria in Mourning Dress Juan Bautista Martinez del Mazo The Empress Dona Margarita de Austria in Mourning Dress 1666(1666) Medium Oil on canvas Dimensions 209 x 147 cm (82.3 x 57.9 in) cyf

Juan Bautista Martinez del Mazo
1612-1667 Spanish Juan Bautista Martinez del Mazo Gallery Mazo??s works owe credit above all to Vel??zquez, whose style he was long compelled to emulate in court portraits. However, Mazo shows in his paintings a personality of his own. His portraits exhibit startling naturalism and marvelously executed. Mazo was specially skillful in painting small figures, a cardinal element in both his hunting scenes and the landscapes he painted as in his most celebrate work View of Saragossa. Mazo??s palette was rather like that of Vel??zquez, except for a penchant often shown for stressing blue or bluish tints. .The departure from his master style was in his way of shaping people and things by highlights which flash the pictorial image towards the surface of the painting, even from the background.. As a counterbalance, an explicit, even emphatic, perspective design marks out the spatial confines of the composition, making it appear squarish.. A further departure from Velazquez is his luxurious depiction of detail or incident, which he achieved with brilliant, depthless strokes, whether on the figure of a sitter, a curtain on a wall, a floor, the surface of a river, or plain grounds. .These stylistic traits reveal Mazo??s own personality as an artist. .For centuries, Mazo??s paintings were attributed to Vel??zquez, but modern art criticism, techniques and knowledge have been able to separate their works.
John William Godward
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