John William Godward
John William Godward's
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John William Godward Museum
9 August 1861-13 December 1922, was an English painter.

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Valentin Serov
The girl with peaches was the painting that inaugurated Russian Impressionism.
The girl with peaches (1887) was the painting that inaugurated Russian Impressionism.
ID: 60745

Valentin Serov The girl with peaches  was the painting that inaugurated Russian Impressionism.
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Valentin Serov The girl with peaches  was the painting that inaugurated Russian Impressionism.


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Valentin Serov

Russian Impressionist Painter, 1865-1911  Related Paintings of Valentin Serov :. | Portrait of Nikolai Leskov | Old Bath at Domothanovo | Seaside in Venice. Study | Mme Lwoff | Portrait of Praskovia Tchaokovskaia |
Related Artists:
Henry d Estienne
1872-1949
Johan Thim
painted Jørgen Rosenkrantz in 1640
Bartolomeo Montagna
Orzinuovi ca 1450-Vicenza 1523 .Painter and draughtsman. Montagna is first documented in 1459 in Vicenza as a minor and, still a minor, in 1467. In 1469 he is recorded as a resident of Venice. In 1474 he was living in Vicenza where, in 1476 and 1478, he was commissioned to paint altarpieces (now lost). He has variously been considered a pupil of Andrea Mantegna (Vasari), Giovanni Bellini, Antonello da Messina, Alvise Vivarini, Domenico Morone and Vittore Carpaccio. While none of these artists, except Carpaccio, was irrelevant to Montagna's stylistic formation, scholars agree that Giovanni Bellini was the primary influence on his art. He may have worked in Bellini's shop around 1470. Several of Montagna's paintings of the Virgin and Child in which the influence of Antonello da Messina is especially marked (e.g. two in Belluno, Mus. Civ.; London, N.G., see Davies, no. 802) are likely to be close in date to Antonello's sojourn in Venice (1475-6); they are therefore best considered Montagna's earliest extant works (Gilbert, 1967) rather than as an unexplained parenthesis around 1485 between two Bellinesque phases (Puppi, 1962). These early paintings appear to be followed by others in which the geometrically rounded forms derived from Antonello become more slender and sharper-edged. Their figures are imbued with a deeply felt, individual humanity, sometimes austere and minatory, sometimes tender. Among them are some larger-scale works,






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